nutrimente

A full bowl, three pomegranates

In Spanish the pomegranate is called granada, like my city. In Granada the fruit is everywhere: on the coat of arms, in the glazed ceramics, in the tile mosaics. Many seeds held together in one skin, an old image of abundance and of unity.

I took three pomegranates and drew them in line, the way they are painted on the ceramics and set into the mosaics at home. Three, for the three voices the project wants to feed: body, mind and soul. They bloom in negative from the centre of a solid bowl with soft edges.

The mark stays warm and human: nothing in it refers to artificial intelligence. It works in one colour only, anthracite on cream or cream on anthracite.

Five moods, five colours that go the other way

For some emotions the palette avoids the colour you would expect. Instead of red for anger or blue for sadness, it goes in the opposite direction: slate blue to cool the tension down, honey yellow to warm sadness up. Every colour is muted, never pure, and only one mood colour leads each application.

One voice for the brand, one for reading

Baloo 2, a rounded and solid sans, for the logotype and every title, so the mark and the rest of the brand speak the same language. Work Sans, neutral and readable at small sizes, for long text and the interface. The hierarchy comes from the contrast of weight, not from a second style.

From Andalusian tiles to Escher

The pomegranate module is developed in two directions: an Andalusian medallion repeated in a grid, like a wall of azulejos, and its rereading as an interlocking figure and ground tessellation, in the manner of Escher.

The same module was taken apart and rebuilt to test the colour harmonies of the palette, and the word nutrimente itself was set in a spiral until it took the shape of a pomegranate.

One mood, one food, one poster

Five posters, one for each mood, each paired with a food: avocado for serenity, ginger for anger, salmon for sadness, banana for low energy, almonds for stress. The payoff closes every poster and holds the series together.

The same pairings return in a booklet with colour bands on the cover and in a memory game: ten cards, five couples, where you match the emotion with the food that goes with it.

The illustrations and layouts are mine; most of the mock-ups that show them in context were generated with AI.

"How do you feel today?"

The home opens with an emotional check-in: five colours, one tap. In the chat the app answers like a person and links each suggestion to its transparent card; the recipes section keeps your history.